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When Cooly G released 'Narst' b/w 'Love Dub', her first single for Hyperdub back in 2009, there was an intriguing what-next dichotomy between the A and B sides. 'Narst' was a banger, UK funky's rhythms strongarmed into grimier territory, where dense kicks steamrolled the snares and digital strings ratcheted up the pull between tension and exhilaration.

'Love Dub Refix' found a wildly different use for that bass/percussion interplay: the drums clicked into delicate but elaborate motion beneath that wall of low-end, and it was topped off with a fluid, phased Fender Rhodes and Cooly G's own voice intoning declarations of heart-struck disconnect a'la neo-soul ('must be love without you'). Either way, she was headed towards something that would take advantage of bass music's increasing genre flexibility, and do it in ways that rewarded close listening and dancefloor physicality at the same time. Playin' Me is the culmination of a couple of years' work since that '09 single, and what the lead-up singles hinted at-- the '86 Prince-via-Kode9 flourishes of 2010's 'Up in My Head'; the slow-boiling crest of the following year's microhouse-tinged 'Landscapes'-- is elaborated on even further.

When she goes back through the lineage of her sound, from funky to dubstep to garage to drum'n'bass, she digs all the way back to the groundswell of synthesized, post-disco R&B to give it a common thread. The first notes on the album belong to the sort of watery funk guitar lick that could've belonged to the solo on a '77 Brothers Johnson record, isolated as an emphatic refrain that would fit well on the intro of a '95 Faith Evans single, and then built around for a dramatic, looming melodic theme that is as good as anything else this year for idealizing what post-dubstep is capable of in a pop-friendly sense. 'He Said I Said' is the track in question, and it's bristling with intimacy and anxiety alike-- but it also sets a precedent for how rhythm is deployed on Playin' Me, vividly developing the tense euphoria and spacious fluidity of that first single. The vibe of the album is consistently, deceptively understated, intricacy taking priority over immediacy.